Archive for the ‘underground’ Category

April 12th, 2011 by dory

Can you spare an hour?

It is National Volunteer Week.

Since 1974, NVW has grown exponentially in scope, drawing support and endorsement of all subsequent presidents, governors, mayors, and other respected elected officials.

This week, stop to consider what inspires you and seek out a way to help your community.  Find a cause that is close to your heart, whether it is here in SF or abroad, and see if you can give just an hour of your time.  This week is all about working together to accomplish positive change, and inspiring others to do the same.

Here is some short wisdom in the spirit of inspiring change:

I Wanted To Change The World
By Unknown Monk, 1100 A.D.
When I was a young man, I wanted to change the world. I found it was difficult to change the world, so I tried to change my nation.

When I found I could not change the nation, I began to focus on my town. I couldn’t change the town and as an older man, I tried to change my family.

Now, as an old man, I realize the only thing I can change is myself.   Suddenly I realize that if long ago I had changed myself, I could have made an impact on my family.  My family and I could have made an impact on our town. Their impact could have changed the nation and I could indeed have changed the world.

Here is some reading material, and resources to help you get started:

http://www.whitehouse.gov/the-press-office/2011/04/07/presidential-proclamation-national-volunteer-week

http://yourlife.usatoday.com/mind-soul/doing-good/kindness/post/2011/04/national-volunteer-week-2011-kicks-off/155274/1

http://www.nationalserviceresources.org/
www.volunteermatch.org/
http://www.serve.gov/
http://www.servicenation.org/
http://www.allforgood.org/

Happy volunteering!

April 7th, 2011 by lindsay

Just Say Yes

I’ve always been told to just say no to smoking. That whatever fleeting pleasure a cigarette offers, it subtracts minutes from our lives, plants cancers in our lungs and mouths.

The one awful puff I took of my friend’s cigarette in middle school was enough of a deterrent for me; I’ve never been tempted to go back for more. As a kid, I’d watch my uncle enjoy a cigarette and wonder how many he had to suffer through until they started tasting good. Why would anyone do that, especially when cigarettes give you cancer? To look cool? I couldn’t think of any other explanation.

But a while back, I heard an interview on NPR that made me rethink my assumptions about smoking. It was with a guy who, though not a smoker himself, had written a book in defense of smoking. Smoking, he argued, was an adult pleasure, and all adult pleasures have an element of poison, of danger, of pain. The bitterness of coffee, the sting of alcohol, the tenderness of sex: these things are not just incidental but essential to enjoyment.

When we get older, our ideas of pleasure change. I remember sneaking a sip of my dad’s coffee, and feeling perfectly mystified at the strange world I was destined for where bitter black liquid tastes good, and where it was conceivable to enter an ice cream store and not order anything.

But when I was a little older, my dad would sip scotch and pour me a taste, and we’d argue and discuss the world in a way that only a New York lawyer Jew and his daughter can. Scotch started to taste good in that context. He’d share bits of wisdom with me like “with freedom comes responsibility,” and, come to think of it, you could say the same thing about adult pleasures. Scotch and sex are more demanding pleasures than popsicles and Polly Pocket. They require knowing the size of your own stomach, as Nietzsche said.

If you don’t pay proper attention to adult pleasures, they will hurt you. But the dark side of a thing needn’t be its refutation. We should teach our children to avoid risk, yes, but we should also teach them to use discretion, to savor. I think that method would go a long way in reducing smoking deaths – because the worst part about addiction is that you don’t enjoy your poison as much. You can’t taste nuance when you reach for something by rote.

So instead of a just say no campaign, why not a just say yes campaign? Say yes to enjoyment, say yes to your own limits. Smoke Well. Don’t remove danger; heed it. Be present. Smoke a cigarette like you’re in yoga class. Inhale, taste the smoke as it dances down your throat, hold it in your lungs and enjoy its…well, I don’t know. I’m no smoker. But I can appreciate it from afar.

March 31st, 2011 by irene

¡Viva United Farm Workers Movement & the Delano Grape Strike!

twenty-five day fast: helen chavez, robert f. kennedy, cesar chavez, pete cardenas, larry itliong, andy imutan, julio hernandez

Today is Cesar Chavez Day.  If you are off today from school and work to observe this holiday- most likely you live in California (or the West Coast). Cesar Chavez is the esteemed Mexican-American Farm Labor Organizer of the 60s and 70s but most notably, the face and mouthpiece of the Delano Grape Strike of 1965.

It is too easy these days to attach a movement to one face, one voice, one personality – I mean, props to CC for getting the shine of such a monumental grassroots victory of the 1965 boycott and labor strike… BUT let’s just remember exactly how deep Cesar Chavez really rolled.

Today, I am personally honoring the bravery and swagger of these men and women farm workers, union organizers and allies alike who have banded together with agency to stand in opposition to exploitation for the fair wages and dignity owed to them.

So my day in the sun is yours as well, political ancestors like Larry Itliong and Dolores Huerta.  Although I am not off today, I tribute my labor to you and all other organizers (of the Agricultural Workers Organizing Committee and the Mexican American-led National Farmworkers Association) who don’t have their own holiday.

March 30th, 2011 by lindsay

Image & Context

One of my favorite blogs is LeslieMILES. Each post is a succession of images, curated according to loose interpretation of a theme. The themes are something between snippets of overheard conversation and aphorisms — not enough meaning for the latter, but too much for the former. Things like: “It was time to stir.” “Keep Curious.” “Little to no distance between us. Please?

These themes, along with a soundtrack and a quotation, are the only context offered. Everything to be known is contained in the particular post’s succession of images. There is fame and anonymity, color and black and white, portrait and landscape: just images, one after another. Their relationship to one another is tenuous, and it always gives me a little anxiety. Am I missing the point? But no, I don’t think that’s what’s being asked of me here: to identify a fixed point. The images create a pattern as they go, with sense emerging and shifting as I scroll through the series. What I like about this is that it’s active; it requires much of me.

If you follow the blog, it doesn’t take long to pick up on the curator’s interests, his obsessions. Whatever the theme, certain kinds of images repeat. This curator, whoever he is, loves girls, preferably young, thin, and naked, and preferably Kate Moss. She shows up again and again, as kind of muse, or a god. She presides over the constellation of images; even when she’s absent, you can feel her presence, informing everything.

And it’s not just general themes that repeat — individual images repeat too, weeks or months after they first appear. I can’t tell if the repetition is intentional or just curator oversight, but the effect is uncanny. Many of the images have an air of familiarity, but I’m never sure if it’s intrinsic to the image, or if I’ve actually seen it somewhere before—and if I have, is it because it’s a famous image? Or just a repeat on this blog? There is no way to know; none of the images are attributed to anything. They refuse to have back stories. The only story is the one being told here and now, in their convergence.

March 29th, 2011 by lindsay

On Precision, Briefly.

The other night, I was thinking about good writing, and I decided that it came down to two things: precision and surprise. The surprise will be a topic for another time; today I want to focus on precision.

Precise writing inspires the kind of appreciation one might have for a well-tailored garment. It’s the triumph of a slippery idea, cut from the fray along its contours. It says exactly what it wants to say with just the right words. This justrightness is what separates good writing from bad; the latter can’t quite hit on the idea, so it just keeps shooting. And missing.

Precision means “exactness and accuracy of expression or detail,” but it’s more than this—it’s also an enactment of the aesthetic pleasure it describes. It leaves the mouth like a blown kiss, with lips pursed for the pre. Then comes the chomp of cise, ruthless and exact, claiming its prey before going in for the kill. It’s pure confidence.

It makes me think of incisors, and how trap is another name for mouth, which seems particularly apt here. What is conveyed through the mouth is sensual.